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Showing posts with the label 19th century

SA Interviews: The miniature wonders of Kangra by Mayank Singh

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Mayank Singh is an Intern at Speaking Archaeologically "At a numaish (exhibition) hosted by the King of Chamba", she begins, "When all the artists were boasting about their skills,one of my family's ancestors painted 100 elephants on a single thread of Dhake ke malmal (fine cotton muslin from Dhaka)." Mrs Nisha Raina tells me this and many tales in the hour-long conversation I had with her. In this article, I have tried to include and summarise all that I could learn about Kangra paintings from the interview. Mrs Raina was born into the family of Raina Brahmins, who migrated from Kashmir and settled in Mangloti village of Kangra around the same time the Mughal Empire collapsed. This spree of migration induced a new blend of the M ughlai miniature paintings and the theme of lustrous green landscapes of the hill states, whose Rajput rulers offered patronage to these migrants. Thus was born-what is now known in history as- the Kangra paintings. Mrs Nis...

The Speaking Archaeologically Art Restoration at Maharaja Dhaulpur Resid...

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SA Travel Diaries - Once a Princely State - Patiala by Yashika Kapila

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India has a vital place in world because of diverse reasons. India is the only country got freedom from British by Non-Violence. Mahatama Gandhi and our big freedom fighters fought for us and got freedom from British Government around 60+ years back. People from many cities and states of India participated in freedom fight. Patiala is the one city which got involved completely for liberty. This city is situated in Punjab’s south-eastern part. Patiala City is positioned near the fort Qila Mubarak. Patiala was a Sikh princely state that lasted from 1714 to 1948. Not many know that Patiala state was established in 1763 by Baba Ala Singh, a Jat Sikh chieftain, who laid the foundation of the Patiala fort known as Qila Mubarak, around 'which the present city of Patiala is built. (Qila Mubarak) Quila Mubarak was first built as a mud fortress and later, it was reconstructed in baked bricks. 13 royal chambers with scenes from Hindu mythology painted in the Patiala art styl...

SA Art Restoration Workshop: An Experience by Alka Dalal

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The chills one feels when someone visits a mesmerizing  place! That's how I felt when I went for an Indo-Saracenic Revival and Art competition that Government Degree College, Kandaghat organised in their premises in collaboration with Speaking  Archaeologically.  Kandaghat is an idyllic little sleepy town,  situated near Solan in Himachal Pradesh, so picturesque that it took my heart away. It its very heart, it holds a beautiful building constructed  by Maharaja Patiala that combines Mughal, Rajputana and Mock-Tudor  styles of architecture-something that is defined as Indo Saracenic Architecture, an outcome of the British Rule in India. Maharaja Patiala built this for his ailing Uncle, Maharaja Dhaulpur of Malerkotla, when the latter was detected with tuberculosis. For the last few years, the building was left neglected and was set to be demolished to construct a College in its place but the Principal of the College, Mrs  Navita Gau...

Working on the Chamba Rumals, Chandigarh Museum by Vedant Chandel

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Our first visit to Government Museum was back in November, like Aditi Joshi told you , which started with an interactive lecture on geological periods from our very own Shriya Gautam. What followed were a series of interactive sessions on the development through the prehistoric eras. Finally, we arrived at the Art Gallery, where we were split into teams for our very first team task (Again, we have come a long way from there. But, yes, this was where it all began). I remember not having my partner around, the "now in vogue" Rakshanda Thakur.  So, as it turned out we were given our own sections to work with, I for one got textile Chamba Rumals on display, Textile Section Chandigarh Museum and disappointed (little did I know what was to come). As far as I can recollect, the others got subjects ranging from Mughal paintings to Manuscripts. We were given our own private time with our sections to narrow down on the subjects. And narrow down is what we did, to Cha...