Speaking Archaeologically™

So far you have read posts on Site visits, Site covers, Restoration Projects, Interesting Workshops, Stone Tools, History, Sculptures and what not. So tell me, what not? What's the one thing that SA hasn't associated itself with, yet? What else have you not read about here? We've covered architecture, artifacts and paintings but what's new this time? Till date, Speaking Archaeologically has been providing you with the artworks of the old masters but this time it is the artistic insight of the young minds. On a Sunshiny Sunday Morning of March 24th, SA organized an Illustration competition under the name of " Skhédíos 2019 " and just a few days before that, I thought that I must also participate because how difficult could it be? I've drawn site plans before and I've enjoyed it. But believe me, putting those aesthetic sculptures down on paper is just as difficult as sculpting one, if not more. All the 11 young artists and me, were asked to choose t...

Mayank Singh is an Intern at Speaking Archaeologically "At a numaish (exhibition) hosted by the King of Chamba", she begins, "When all the artists were boasting about their skills,one of my family's ancestors painted 100 elephants on a single thread of Dhake ke malmal (fine cotton muslin from Dhaka)." Mrs Nisha Raina tells me this and many tales in the hour-long conversation I had with her. In this article, I have tried to include and summarise all that I could learn about Kangra paintings from the interview. Mrs Raina was born into the family of Raina Brahmins, who migrated from Kashmir and settled in Mangloti village of Kangra around the same time the Mughal Empire collapsed. This spree of migration induced a new blend of the M ughlai miniature paintings and the theme of lustrous green landscapes of the hill states, whose Rajput rulers offered patronage to these migrants. Thus was born-what is now known in history as- the Kangra paintings. Mrs Nis...

You'd think one won't be covering a Temple when one's first cousin is  getting   married !  Wrong! In the heart of my heart, I always knew that I took an off from supervising SAV India for this wedding, only because it was being held 10 minutes away from the Ancient Temple of Baijnath. You'd think a ten hour long drive on a topsy-turvy road, that included meandering our way through many village roads would be enough to exhaust anyone! The Baijnath Temple, Kangra,Himachal Pradesh, North India Oh, so wrong, again! There we were, in a hotel overlooking Binwa River, appropriately named Hotel Binwa View, and while my family was busy reuniting for the wedding, congratulating the groom, trying dresses on and discussing the events, but more importantly, resting, yours truly spent the better half of the night, talking to the man at the concierge, to the devout Aunt, to the encyclopaediac Uncle, gathering information on the site, which I was determined to visit t...

Or shall we call it, The Second Half of the Workshop on Coinage ? I am very Shakespearean about names. What's in a  name after all?  I am sure the whole thing would still be a workshop on Medieval Painting even if it happened right after we finished working with those gorgeous coins.  So, there we were, still at The Rumour Mill , fed and watered and finally ready to start working on the gorgeous Basholi and Kangra Paintings, Speaking Archaeologically had been lucky enough to procure from private collections. Now to say that those paintings were a work of art is an understatement! The phrase"work of art" doesn't even begin to describe the intricate brushwork and the gorgeously innovative use of molten gold and silver for painting, that these paintings employed so heavily. Humayun, in the court of Shah Tahmasp I I suppose, I cannot  leave a bit of the history of these paintings out , if I have to do justice to what we did on the workshop. So, basica...